First off, the zed equals zee happy hour was a rousing success, with lots of terrific conversation. It was fantastic to meet so many Boston musicians and bloggers face to face, including some of the people behind Boston Band Crush, The Limits of Science, Electric Laser People, and Paul Lamere of Music Machinery and his colleagues at The Echo Nest. It’s a measure of how friendly the crowd was that there was waaaaaaay too much money on the table at the end of the night; if you came out last night, join us for the next zed equals zee happy hour in a few months and the first round is on us.
Activision and Red Octane have announced that DJ Shadow is signed up to help develop and test the hardware for DJ Hero, set for release later this year. The turntablist may also appear as a playable character. There are not-terribly-substantiated rumours (which I’ll happily spread) that Daft Punk may also be involved in the new game. [via Resident Advisor]
According to a recent report, live music has now overtaken recorded music in revenue in the UK (£904 million vs £896 million). Although that includes neither sponsorship revenues nor digital licensing, which makes me wonder a bit about the author’s job title of Chief Economist. No word on whether the numbers include Rock Band downloads. [NME] [EDIT: removal of unwarranted snark; see comments for details]
DIY donk. Remix any track into the Northern England sound of bouncy techno. Music Machinery’s donkified version of The Postal Service’s “Such Great Heights” made me laugh out loud, although I still had to turn it off after about 15 seconds.
DIY…keybass? bass keytar? Whatever, it’s pretty awesome.
*the anti-donk version