zed equals zee

Following up on yesterday’s post about the Indie Music Survival Guide, and how I want bands that I like to keep making music…

Boston band Pretty & Nice had a sobering run-in with one of their musical heroes:

This may be the most telling anecdote about modern rock ever: A new band with a seemingly bright future meets one of its idols – a guy signed to a major label with 15 years of storied records and tours under his belt – and he’s managing a Jiffy Lube in Boise, Idaho….

The bright new band: Pretty & Nice, which plays a CD release show for its new album “Get Young” Sunday at Great Scott. The idol: Built To Spill bassist Brett Nelson.

“We met Brett at the Jiffy Lube he manages in Boise.” said Holden Lewis. “I came out from paying and was wondering, ‘Who’s this guy talking about touring?’ The whole interaction was about 30 seconds long, but he came to our show in Boise that night and invited us to their Boston show last month.”

The article focuses how what it means to ‘make it’ in the modern music industry, and how the days of being wildly successful (a là KISS and their ilk) are pretty much over. Hugh Dillon‘s character in Hard Core Logo says of his bandmate, “Billy wants the models and limousines, while I’m happy with hookers and taxicabs,” and it looks like it might be all cabs, no limos from here on out. There are clear parallels to other media, and how they are becoming increasingly niche-oriented: instead of everyone sitting in front of their TV watching Dallas on a major network, we moved to the 500-channel universe, and then to watching clips on YouTube. Music seems to be going in the same direction – instead of relatively few bands that are massive and ubiquitous, there’s a complete ecosystem of bands thriving in a wide range of niches. At least, I hope that’s how it plays out; I really need to keep going to shows and buying CDs, Pretty & Nice’s in particular…

More Pretty & Nice: myspace website label

MP3: Pretty & Nice – Tora Tora Tora

[via Boston Blog Crush]