Posts Tagged ‘david bowie’

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Music, tech and culture roundup

September 11, 2009

heteropoda davidbowie

Spiders from Mars Madagascar: That beauty above? That’s a Heteropoda davidbowie, newly discovered spider named after David Bowie (in honor of his Spiders from Mars). You can read the whole story here.

Sound quality in music: Sasha Frere-Jones has started a new series in the New Yorker called “Dithering: The Sound of Sound” which explores sound quality in music. The first and second posts are up.  If you haven’t yet, you can test yourself to see if you can hear the difference between MP3s at 128 and 320 kbps.

Monkeys find Metallica calming: Primatologist Charles Snowdon at UW-Madison showed that the affective state of tamarind monkeys can be changed by ‘monkey music’ (music based on their calls) but it largely unaltered by human music, with the exception of Metallica, oddly enough. This is interesting because music affects the emotional state of humans in a similar way across cultures, but it these effects don’t seem to cross over to other primates. More information here.

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The changing economics of touring

January 9, 2009

madonna

Two recent articles, one in the Economist’s culture magazine (link) and one in the Independent (link) both take the recently released 2008 concert revenue figures as a starting point to discuss the future of touring musical acts. Unsurprisingly, the Economist gives a deeper historical perspective (I’m impressed by their ability to work in a reference to Tom Stoppard), whereas the Independent’s article focuses more on the numbers, including a list of the highest-grossing tours of 2008, with Madonna (pictured) at the top of the heap. The Independent reports that music sales have fallen in the last five years due to, among other factors, “the corrosive effects effects of piracy.” They also note that concert revenues are up by 13%. While they fail to connect these two things, both articles quote David Bowie:

The absolute transformation of everything that we ever thought about music will take place within ten years, and nothing is going to be able to stop it. …Music itself is going to be like running water or electricity…you’d better be prepared for doing a lot of touring because that’s really the only unique situation that’s going to be left.

Even more remarkable is that it’s from an interview with the New York Times in 2002.

MP3: David Bowie – Hang on to Yourself [buy]

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Coverage: Emm Gryner, “For What Reason”

May 22, 2008

Emm Gryner

Guest blogger Scott says:

I’d call Emm Gryner the Canadian Tori Amos, except that Amos’s covers almost universally terrify me. Sure, it’s nice to have her there so you can actually understand the lyrics to “Smells Like Teen Spirit” for a change, but her affectless approach to Eminem’s “’97 Bonnie and Clyde” or The Boomtown Rats’ “I Don’t Like Mondays” leaves me expecting her head to spin around and start vomiting cherries. Anyway, Gryner does a better job with Ozzy Osbourne’s “Crazy Train” than with this. But you asked for indie, so indie you get.

[ed: Ozzy is cool with us, and we love the cover – stay tuned!]

Three fun facts about Emm Gryner: She toured with David Bowie (backup vocals and keyboards), including playing Glastonbury. She started her own record label, Dead Daisy, and signed In-Flight Safety. She was on the Mayor’s Honour List [pdf] of her hometown, Sarnia, in 2004.

MP3: Emm Gryner – For What Reason (Death Cab for Cutie cover)

More Emm Gryner: website myspace amazon

Previously: Coverage: Vampire Weekend, “Exit Music (for a Film)“; Coverage: I Hate Kate, “Major Tom”; Coverage: Self, “Ana Ng”

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Coverage: I Hate Kate, “Major Tom”

May 1, 2008

Guest blogger Scott says:

There are so many things that ought to be wrong with this song. Peter Schilling wrote a conspicuously 80s new wave song that wasn’t so much a cover as an, I don’t know, elaborate retelling of David Bowie’s “Space Oddity”. In the U.S., at least, he was a one-hit wonder with this song. And, let’s face it, “Space Oddity” is a musically interesting Bowie song, but the lyrics don’t have enough of a story to really merit retelling them with different words. It’s not a good songwriting technique.

I Hate Kate seems like more of a Creed/Korn-esque pseudo-punk band than indie rock. Checking on some of their original songs would support that assessment, but the consensus seems to be that this makes their genre “alternative rock I don’t care for,” not “other than alternative rock.” Regardless, not my cup of tea. But apparently, poorly-written new wave synth-pop + screechy-voiced “goes to eleven” frat boys = something that evens out reasonably well in the middle. It’s the new math.

MP3: I Hate Kate – Major Tom

More I Hate Kate (if you must): myspace

Previously: Coverage: Self, “Ana Ng”, Coverage: The National, “Mansion on the Hill”