Posts Tagged ‘electronic music’

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Decibel Fest no more?

May 7, 2009

decibel-poster

The Stranger reports that the fate of Seattle’s electronic music festival, Decibel, hangs in the balance. Says founder Sean Horton (also known as Nordic Soul):

So far 2009 hasn’t been a very good year for Decibel in terms of attendance at our one-off events, which isn’t a good sign for the 2009 festival. Not sure what to make of it, but if we can’t raise the necessary money by the middle of June, the 2009 festival program will be cancelled.

Like many promoters, Horton and fellow organizers have been fronting the money for the festival on their own credit cards. The credit crunch has reduced their ability to fund it this way, including foiling Horton’s attempt to take out a loan against his house. On top of that, attendance at yesterday’s gala fundraiser was far lower than expectations.

It’s an incredible pity, since Decibel 2008 was fantastic (I bought a pass before I even moved to Seattle and went out every night, to what seemed like pretty crowded venues). One issue is that Decibel, unlike other festivals such as Mutek, only recently registered as a non-profit, thereby becoming eligible for local arts funding. Advanced sales for Mutek and Movement are pointing towards increased attendance from last year (as was the case for Coachella), so it’s quite possible that Decibel would also do fine this year, but that’s a hell of a risk to take when it’s your personal financial wherewithal at stake. Here’s hoping they get the funding sorted out. If you want to help, you can make a tax-deductible contribution via their funding partner, Shunpike.

MP3: Claude von Stroke – Who’s Afraid of Detroit? (Audion remix) [beatport]

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The forgotten pioneers of electronica

September 30, 2008

I’ve been fairly obsessed with the Freezepop song “Melon Ball Bounce,” a cover version of the 1963 Sprite jingle by electronic music artist Raymond Scott. And after a childhood watching Doctor Who, I still think that its theme music, created by Delia Derbyshire (pictured above), remains the coolest, creepiest musical intro ever. It turns out that I’m not alone. A recent article in the Guardian discussed the resurgence of interest in ‘library music’ – early electronic music experiments, in the service of advertising and TV soundtracks, from the 1960s and ’70s. Most of this music was never intended for release to the public, and it’s accordingly quite rare. However, the Glo Spot label has begun to reissue some releases (they are still pretty hard to get, it looks like – they seem to be sold out everywhere).

MP3: Orbital – Dr ? (Doctor Who theme)

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A taxonomy of electronic music

April 20, 2008

I mentioned in a previous post that getting into techno is a little overwhelming. One of the reasons why is the large number of genres and subgenres. Ishkur’s Guide to Electronic Music (check your speaker volume before clicking) is an excellent place to go to codify the bits of music and the artists that you’ve heard or heard of. It’s a taxonomy of electronic music of all sorts, with an opening tutorial and brief descriptions of the different styles. It’s written in a highly opinionated, pull-no-punches style whose primary redeeming feature is that it balances acrimony with enthusiasm: here’s a sample:

Motherfucking electro! Kraftwerk invented it in 1971. Hip hop hijacked it in 1981. Everyone forgot it by 1991. And then everyone started releasing “Hey! Remember Kraftwerk?” albums in 2001. Goes to show how much things run full circle. All electronic music everywhere pretty much owe [sic]  its existence to Kraftwerk. Right next to James Brown and The Beatles, they are the most influential musicians of all time. It also doesn’t hurt that robots are so totally wicked fucking awesome.

But the real reason to put up with the annoying Flash and non-Edward-Tufte-approved design is for the audio samples of songs from the different genres. If you’ve ever wanted to know the difference between minimal and microhouse, between Ibiza- and Goa-style trance, or between jungle and drum’n’bass (or if you just want to know what those genres are), this is the site. Sit yourself down in front of a computer with decent speakers, give yourself a bit of time, and mess around.