zed equals zee

A quick hit of assorted news from around the intarwebs while I’m around the world.

Band makes video out of CCTV footage. The Get Out Clause, out of Manchester, performed in front of some of the UK’s ubiquitous surveillance cameras, then requested the footage under the Brit equivalent of the Freedom of Information Act, and edited it into the video for their song “Paper” (that’s the vid, above). There’s some question about how much of it is from CCTVs, but it’s still a pretty cool idea. Also, file this one under ‘new business models’ – getting taxpayers to involuntarily fund your promotion efforts (via Hypebot).

Amanda Palmer makes $19K on Twitter in 10 hours. A few weeks ago, we mentioned Amanda Palmer’s online Twitter auction, and we totted up her numbers to report that she made more than $4000. She wrote a letter to Bob Lefsetz, detailing the auction, sales of the #LOFNOTC t-shirt, and a concert. It was a hell of a lot more than $4K (via amanda fucking palmer).

Speaking of Twitter users, apparently we’re valuable to the music industry. A new report by marketing firm NPD reports that Twitter users are heavier consumers of music than Twitter users on a number of axes: they’re about twice as likely to have purchased music downloads in three months prior to the study (and they spend more money), are much more likely to listen to Internet radio, and more. Ars Technica suggests that these differences may be due to Twitter users being tech-loving early-adopter neophiles, although neither they nor NPD seems to make any attempt to correct for household income, which seems like an obvious possibly confounding factor.

Hype Machine publishes names of bands who tried to manipulate charts. Hype Machine recently reported on bands (or PR teams) attempting to manipulate its ‘popular‘ page, and the efforts they took to limit this. But I thought that the most interesting element, at least sociologically, was that they named names: an alphabetical list of the artists “who[they] believe have attempted to manipulate the charts on the Hype Machine. [They] thought [they]’d publish this list to let everyone make their own judgments about quality, integrity and marketing strategies.” You can see the list for yourself here.

Who is the best band in the world today? The Guardian asked a bunch of musicians to name the artist they thought was the best in the world. Geddy Lee of Rush replied, “Describing someone as “the best” is something you do at school in grade 5,” which made me smile, and Rush would probably have been my answer in Grade 6 (not in sixth grade). He did eventually reply with ‘Radiohead.’ You can read the full list here.