2008 roundupJanuary 1, 2009
Now that 2008 is actually over, time for a quick round-up of some music highlights. This is a highly idiosyncratic list: it’s not comprehensive, it’s not definitive, and it’s not scientific. It’s really just about what I liked enough to spend a lot of time listening to this year. I hope that there’s some stuff in the list that you missed, and that it encourages you to check out something new.
If the artist had a 2008 release, it’s given in parentheses. Links are to z=z posts, most with MP3s. List is in no particular order.
Head Like A Kite (There is Loud Laughter Everywhere) This album is one of my favourite of the year, up there with Massive Attack’s Mezzanine as the perfect music for three am listening.
The Mountain Goats (Heretic Pride): An excellent album, with several standout songs (“Autoclave,” “Heretic Pride”). But my 2008 Mountain Goats experience was mostly about their fantastic live shows.
Destroyer (Trouble in Dreams): I love Dan Bejar, among other reasons, because he strays enough from traditional pop structures that his songs have added interest, but not enough that they become unmemorable or unlistenable.
The Faint (Fasciination): Omaha’s most unlikely musical export. They were really fun live, except for the few minutes where their setup died and the lead singer told terrible jokes.
Billy Bragg (Mr. Love & Justice): While this was his 2008 album, its most important quality was that it gave Billy Bragg a reason to tour. He’s perfected the art of the one-man-with-a-guitar live show.
Passion Pit (Chunk of Change): Local band ‘most likely to succeed’ in the brave new world of indie-electro.
Hot Chip (Made in the Dark): The year’s electrorock album, and the raw material for a slew of great remixes, including one of “One Pure Thought” by Dominik Eulberg and most recently (about 24 hours ago) of “Ready for the Floor” by Jesse Rose (a bit of a cruel joke at 1:45 am, a few minutes before last call).
British Sea Power (Do You Like Rock Music?): This album renders its title rhetorical.
Electric Laser People (Straight Talk on Raising Kids, 2007): This is the album that I was listening to when I reached the Lake Washington bridge; I suspect that it’ll always be emotionally time-stamped with my elation at completing the four-and-a-half day drive, solo, from Cambridge to Seattle.
Mother Mother (O My Heart): Missed two opportunities to see them live, once in Seattle and once in Vancouver, and I hope I get to remedy that in 2009.
New Faces (Two Years): My first intro to local Seattle music – I heard about them from a friend before I even arrived.
The Gaslight Anthem (The ’59 Sound): I came to this band late in 2008, but it’s in heavy rotation on my personal playlists.
The Hold Steady (Stay Positive): This album grew on me; I liked it much more by the end of the year than when I first heard it, in June. Two live shows (at the Pitchfork Music Festival and here in Seattle) probably helped with the process.
I Am Kloot (I Am Kloot Play Moolah Rouge): I am a sucker for Johnny Bramwell’s voice; if The Gaslight Anthem are a homage and throwback to an earlier time in American music, I Am Kloot plays the same role for British music.
Bishop Allen (The Broken String, 2007): Quirky, charming and infectious.
Now it’s your turn! What are some of the songs and bands that you spent a lot of time listening to in 2008? We’d especially love to hear about lesser-known music, not bands that everyone seems to love (Fleet Foxes, I’m looking at you). Share your suggestions in the comments.