The video for the second single, “Impatience,” from We Are Scientists’ sophomore album, Brain Thrust Mastery, was just released. And it features one of the band members as a werewolf. Like pretty much everything else WAS do, it’s an entertaining mix of funny, geeky and strange (check out the ‘Advice‘ section of their blog for more of this characteristic blend). We Are Scientists are busy, busy guys – they just finished an East Coast tour. Next up is two weeks of festivals in the UK and Europe (including Reading and Pukkelpop), then they are spending most of September supporting REM in Europe, and then they return to the US for a cross-country tour with Kings of Leon, playing Seattle on October 20, 2008.

Best Olympics promo ever
August 11, 2008I think that the BBC Olympics title sequence video, created by Damon Albarn and Jamie Hewlett (better known as the brains behind Gorillaz) is probably my favourite bit of promo for the Olympics ever.
[via Neil Gaiman’s Journal]

Best uniforms in music
August 8, 2008zed equals zee is still settling into its Seattle headquarters, so just a quick post to tide you over. Courtesy of the Guardian, an illustrated list of the top ten uniforms in rock. Unsurprisingly, Devo (above) tops the list.

Want to be a musician? You’re not alone.
August 5, 2008NME reports the results of a study that states that one-fifth of Brits are frustrated musicians and fantasize about giving up trading their jobs for one in the music industry, including something like 10% of doctors. I guess if you already have a lucrative, stable, societally-approved career, it’s pretty much inevitable that you would dream of changing to one that Neko Case describes thusly, “Playing in an independent rock band will eventually make you equal parts truck driver, gladiator, and mule.” These stats also go a long way to explaining the massive success of Rock Band.
Previously: For Those Who Tried to Rock

Quiz: Bands of the Pacific Northwest
August 1, 2008Driving across Washington State, I saw road signs for a number of places that I realized I recognized mostly because they are the hometowns of indie and alternative bands. So in honour of zedequalszee’s relocation to Seattle, a brief quiz – match the band with the hometown.
Bands:
- The Dandy Warhols
- Death Cab for Cutie
- Modest Mouse
- Nirvana
- Sleater-Kinney
Hometowns:
- Aberdeen, WA
- Bellingham, WA
- Issaquah, WA
- Olympia, WA
- Portland, OR
Bonus question: What band (pictured above) is named after the Washington State Department of Transportation phone number for reporting HOV lane violations?
Answers: (select to read) Dandy Warhols – Portland; Death Cab for Cutie – Bellingham; Modest Mouse – Issaquah; Nirvana – Aberdeen; Sleater-Kinney – Olympia; 764-HERO.

Listen local, Indiana edition: Whisper Down
July 28, 2008A special ‘Listen local’ post from the road, as I’ll be passing through Indiana tomorrow. Whisper Down is a Terre Haute-based folk/alternative band (they cite influences from The Smiths through Death Cab for Cutie through Tracy Chapman). Like Sloan, they share songwriting and vocal duties. Check them out if you’re in the area.
More Whisper Down: myspace website
MP3: Whisper Down – My Part-Time Guardian Angels (MP3 removed at the request of the band; you can hear some of their songs here)

zed equals zee goes west!
July 26, 2008zed equals zee is heading west! We’re relocating to Seattle for a year. This blog will still focus on local music – it’ll just be a different version of local. So you have a favourite Seattle band, or are in a Seattle band, please tell us about it in the comments! And if you are a Boston band – say, one of these bands – I’d love it if you followed Freezepop‘s example and do a West Coast tour.
Also note that updating will be spotty this week, during the move. But stay tuned!
MP3: Hallelujah the Hills – Wave Backwards to Massachusetts
Image: Freeway Curves by Flickr user Slightlynorth, reposted here under its Creative Commons license.

Threesome: public radio personalities
July 23, 2008Three fantasias which have real public radio personalities as the subject. First, Amanda Palmer tells the story of her unrequited crush on Christopher Lydon (pictured above), former host of The Connection on NPR’s Boston affiliate, WBUR. Next, Jonathan Coulton‘s ode to WNYC host Soterios Johnson‘s secret E- and Red Bull-fueled club lifestyle. Finally, Franz Ferdinand fantasize about being interviewed by Terry Wogan, BBC Radio 2’s legendary morning radio show host.
MP3: The Dresden Dolls – Christopher Lydon (more Dresden Dolls)
MP3: Jonathan Coulton – Dance, Soterios Johnson, Dance (more Jonathan Coulton)
MP3: Franz Ferdinand – The Dark of the Matinee (more Franz Ferdinand)

Pitchfork highlights: Sunday, Cut Copy
July 21, 2008[embedded YouTube video; if you can’t see it, click here]
I think that Sunday’s highlight was Cut Copy, despite everything. They were delayed at the airport and ended up doing an abbreviated set that conflicted with the headliners, Spoon. While the real diehards waited it out through Mike Reed‘s ‘psychedelic doo-wop stylings,’ the rest of us (like me and my friend Jon) headed over to catch the Spoon set, keeping one ear out for the sounds of joyful electropop from the Balance Stage. We returned to immerse ourselves in the mass of dancing indie fans and catch the last couple of songs – it was a great close-out to the fest. And short but intense wins again.

Pitchfork highlights: Saturday, Jarvis Cocker
July 20, 2008How did I ever forget how much I love Jarvis Cocker, the charismatic former frontman and principal of Pulp, especially since he wrote one of my favourite songs of all time? (“Common People,” off the 1995 album Different Class.) His self-titled solo album came out in 2006, and he played a set at the Pitchfork Music Festival on Saturday night. The standout song was the as-yet-unrecorded “Girls Like It Too”. Cocker introduced it as being based on a line from a reassuring letter that John Peel wrote to his brother as he (the brother) was just becoming sexually aware, which was read aloud at Peel’s funeral in 2004. (The YouTube video, above, is from the March 2008 premiere of the song in Buenos Aires.) And in a typically classy note, Cocker’s encore was the 1987 track “Face It” by Master C & J, a shoutout to Chicago as the birthplace of house. (thanks to Erich for helping me identify the artist).
Previously: Pitchfork highlights: Friday, Mission of Burma

Pitchfork highlights: Friday, Mission of Burma
July 20, 2008I’m not going to comprehensively blog the 2008 Pitchfork Music Festival; instead I’ll point you here and here and here (and I’m sure you’ll find others, if you’re interested). Rather, I’m just going to focus on one artist from each day.
Unsurprisingly, Mission of Burma was my personal highlight from Friday, playing their album Vs as part of the All Tomorrow’s Parties ‘Don’t Look Back’ series. The played a few non-Vs tracks to start (so that fans would have the ‘definitive edition’) and, as always, they were ferocious and compelling live. As that comment suggests, they also had a signal sense of humour about the artificiality of playing an entire album, in order, including starting each ‘side’ with the sounds of crackly vinyl.
The YouTube link above is of a live performance of the last track on the album, “That’s How I Escaped My Certain Fate.” I don’t know yet if Pitchfork is archiving the live video; stay tuned.

Webcast: Pitchfork Music Festival
July 18, 2008The Pitchfork Music Festival has finally arrived! It kicks off at 6 pm CDT tonight with z=z local heroes Mission of Burma, performing their album Vs. in its entirety. If you’re not able to attend, the entire festival is being webcast. Given the high potential for a Midwestern version of a Glastonbury-style mudfest – the forecast is for thunderstorms all three days – that might be the best way to experience the concert. No word on whether the vids will be archived for your later enjoyment.

Coverage: Ted Leo, “The Spirit of Radio”
July 17, 2008In honour of Rush’s appearance yesterday on the Colbert Report, and Ted Leo’s appearance this morning on the soon-to-be-defunct Bryant Park Project on NPR, here’s Ted Leo’s cover of Rush’s “The Spirit of Radio.” The story is that this song was inspired by CFNY, Toronto’s independent/alternative radio station, which was a formative musical influence on me as a kid growing up in the city (it’s now 102.1 The Edge). Three things I love in one neat package.
MP3: Ted Leo – The Spirit of Radio (Rush cover; recorded live at WFMU)

Release notes: Life Beyond Mars: Bowie Covered
July 14, 2008Following up on their (presumably successful) compilation of Radiohead covers, Rapster Records corraled a dozen electronic artists to create their own versions of David Bowie songs and released Life Beyond Mars: Bowie Covered. As a lifelong Bowie fan and someone who loves electronic music and covers, I feel like I personify the target demographic for this album (and I did, in fact, buy the CD). Sadly, however, I found the song quality to be rather uneven. As might be expected, given the genre, the song choices are heavy on Bowie’s Berlin years, and the standout track is definitely Matthew Dear’s cover of “Sound & Vision.” Most artists chose lesser-known Bowie songs, rather than hit singles – understandable, really, as who’d want to take on the challenge of reinterpreting a beloved masterpiece? – but the The Thing took a different approach. Their ‘cover’ of “Life on Mars” has nothing discernibly in common with the original besides its title. I’m going to politely describe its style as ‘experimental,’ including sounds like rusted metal-on-metal creaks and squeaky balloons. I’d suggest the version below instead.

Listen local: Electric Laser People
July 13, 2008”]
Regular readers of this blog could probably compile a list of what I think is notable in music: local artists; funny, sexy or geeky lyrics; band members with academic or scientific day jobs; hooky, danceable songs; great live shows. If you had to create a band that I would love, Frankenstein-like, you’d probably come up with Electric Laser People. A minor disclaimer – I initially went to see them play because they are friends of friends.
Musically, think electroclash crossed with hip-hop, with a dash of punk, and a soupçon of opera, thanks to classically-trained Jess Riley’s soaring vocals. The Boston-based (check) band sing songs like “Disco 3000,” about going to the future and trying to get with ‘permatan honeys’ at a club where ‘everyone is beautiful/and owned by Monsanto’ (lyrics: check). Lead singer and bassist Dan Paluska is an award-winning robotics engineer for art installations – check out this insane video of one of his pieces – and guitarist Grant Kristofek is a design consultant; we share a colleague, in fact. (day jobs: check).
Their album, Straight Talk on Raising Kids, is permanently embedded in my car stereo, to say nothing of my brain, since many of their songs are catchy to the point of becoming earworms (hooky: check). However, they really come into their own live. Like Dan Deacon or Holy Fuck, they just seem like they are having enormous fun on stage, and that gets communicated to the audience (great live: check). Electric Laser People play at Church on August 20th. Go check them out.
More Electric Laser People: myspace website allmusic bio buy

Poor concert etiquette, illustrated
July 9, 2008Guest blogger Scott, who’s familiar with my preferences regarding singing at concerts, says:
This isn’t necessarily a great cover, but it’s one of the best illustrations imaginable (short of a performer actually stopping and berating someone, which would be awesome) of why you don’t sing from the audience. Everyone is basically behaving themselves, except for one guy, who drunkenly sings along (and then mis-sings along) at the quietest parts of the song.
MP3: The Dresden Dolls – Karma Police [Radiohead cover]
Previously: Concert etiquette: miss debcha speaks; Listen local: The Dresden Dolls

Overeducated musicians
July 6, 2008Here at zed equals zee, we’re big fans of education. As musicians go, Queen guitarist Brian May pretty much has everyone beat – after setting his doctoral work in astrophysics aside to concentrate on music full-time, he returned to his dissertation some 30 years later, received his PhD, and is now Chancellor of Liverpool John Moores University (the photo above is of him at his investiture). We’ve already talked about the Bon Savants, whose lead singer, Thom Moran – as everybody knows – worked as a rocket scientist at MIT, although I don’t know what his academic background is (they are playing at the Middle East Upstairs on Wednesday, July 9th, so you could probably ask him). There are also a couple of artists that I can think of who are actively balancing academic and musical careers. Another z=z fave, The Franklin Kite, features a frontman who did a PhD in astrophysics at MIT, and is now doing postdoctoral research at that university up the river. Even more notably, the lead singer of Bad Religion, Greg Graffin, not only has a PhD in zoology from Cornell, but he teaches at UCLA – apparently, he is on the timetable to teach Life Science 1 in the upcoming winter quarter (January 2009), after which the band will return to the studio.
Know any other scientist/academic/musicians that I missed? Tell us about them in the comments!

Old school: Comsat Angels, “Independence Day”
July 4, 2008[embedded YouTube video; if you can’t see it, click here]
A slightly-belated celebration of the Fourth of July, via some nice folks from the mother country.

Free Pitchfork Fest downloads at eMusic
July 2, 2008Probably the single biggest contributor to having a good time at a live performance is familiarity with the music. The Pitchfork Music Festival grasps this point – as it has for the last couple of years, they’ve teamed up with eMusic to provide free downloads of songs by artists who’ll be performing. If you plan on attending, it’s a great way to familiarize yourself with the bands you may not know. And if you can’t make it, it’s a terrific way to get a taste of the always well-curated festival. Ignore the pissy comments – there are some great songs there. Try Mission of Burma‘s “Academy Fight Song,” Animal Collective‘s “Grass,” and Apple in Stereo‘s “Energy” for a start.















