(click to see full comic on Dustinland)
Ah, the music nerd’s burden. Dustinland has an excellent Kipling-level apologia for all of us.
(thanks, Keith!)

(click to see full comic on Dustinland)
Ah, the music nerd’s burden. Dustinland has an excellent Kipling-level apologia for all of us.
(thanks, Keith!)

Growing up in the pre-Internet world, I was fortunate enough to have a decent independent indie-and-alternative radio station in Toronto, as well as a much cooler older sister who listened to CBC’s Brave New Waves and exposed me to new stuff. Then I moved to Boston, just as music was starting to migrate to the Internet, and I pretty much stopped listening to radio (with the exception of WMBR, of course). As I was preparing to relocate to Seattle, the radio station KEXP kept coming up, mostly in sentences to the effect of, “You’ll want to listen to KEXP.” So I switched my stereo over to 90.3 FM, and set it to turn on in the morning.
As I was lying bleary-eyed in bed, I gradually realized that I was familiar with the song that’s playing, an instrumental. Even more gradually, it dawned on me that it’s Holy Fuck. Holy Fuck! On the radio!
This Friday morning alone, they played The Hold Steady, Hot Chip, The Hidden Cameras, and both Oasis and Pulp, plus great older alternative artists like James, The Jesus and Mary Chain, and the Dead Milkmen. And, of course, a whole slew of new bands I’d never heard of. Fortunately, KEXP also maintains an amazingly detailed playlist, updated in real time.
Sadly, however, there is a significant downside to my newfound love of KEXP – since it’s replaced NPR as my morning auditory stimulation, I’m probably going to be significantly less well-informed this year.
KEXP 90.3 Seattle (streaming links in top left corner)

I’ve seen a decent number of DJs perform using setups that were not all that different from this, other than having a sound system that was many orders of magnitude better (and louder).
Previously: A taxonomy of electronic music; The zen garden theory of minimal techno; Techno and impressionable young minds


There’s late, and then there’s really, really late. I just discovered All Teeth and Knuckles. They released their first album, Club Hits to Hit the Club With, just about a year ago in August 2007. They went on tour last fall. And then they went on indefinite hiatus in April. Fortunately, thanks to the magic of the Internet, you can still visit their website, download their witty, catchy and danceable songs, and send them e-mails encouraging them to get it together and release a follow-up album.
MP3: All Teeth and Knuckles – Let’s Undress and Listen to CSS
And in case you’re not familiar with the original:

The video for the second single, “Impatience,” from We Are Scientists’ sophomore album, Brain Thrust Mastery, was just released. And it features one of the band members as a werewolf. Like pretty much everything else WAS do, it’s an entertaining mix of funny, geeky and strange (check out the ‘Advice‘ section of their blog for more of this characteristic blend). We Are Scientists are busy, busy guys – they just finished an East Coast tour. Next up is two weeks of festivals in the UK and Europe (including Reading and Pukkelpop), then they are spending most of September supporting REM in Europe, and then they return to the US for a cross-country tour with Kings of Leon, playing Seattle on October 20, 2008.

I think that the BBC Olympics title sequence video, created by Damon Albarn and Jamie Hewlett (better known as the brains behind Gorillaz) is probably my favourite bit of promo for the Olympics ever.
[via Neil Gaiman’s Journal]

zed equals zee is still settling into its Seattle headquarters, so just a quick post to tide you over. Courtesy of the Guardian, an illustrated list of the top ten uniforms in rock. Unsurprisingly, Devo (above) tops the list.

NME reports the results of a study that states that one-fifth of Brits are frustrated musicians and fantasize about giving up trading their jobs for one in the music industry, including something like 10% of doctors. I guess if you already have a lucrative, stable, societally-approved career, it’s pretty much inevitable that you would dream of changing to one that Neko Case describes thusly, “Playing in an independent rock band will eventually make you equal parts truck driver, gladiator, and mule.” These stats also go a long way to explaining the massive success of Rock Band.
Previously: For Those Who Tried to Rock

Driving across Washington State, I saw road signs for a number of places that I realized I recognized mostly because they are the hometowns of indie and alternative bands. So in honour of zedequalszee’s relocation to Seattle, a brief quiz – match the band with the hometown.
Bands:
Hometowns:
Bonus question: What band (pictured above) is named after the Washington State Department of Transportation phone number for reporting HOV lane violations?
Answers: (select to read) Dandy Warhols – Portland; Death Cab for Cutie – Bellingham; Modest Mouse – Issaquah; Nirvana – Aberdeen; Sleater-Kinney – Olympia; 764-HERO.

zed equals zee is heading west! We’re relocating to Seattle for a year. This blog will still focus on local music – it’ll just be a different version of local. So you have a favourite Seattle band, or are in a Seattle band, please tell us about it in the comments! And if you are a Boston band – say, one of these bands – I’d love it if you followed Freezepop‘s example and do a West Coast tour.
Also note that updating will be spotty this week, during the move. But stay tuned!
MP3: Hallelujah the Hills – Wave Backwards to Massachusetts
Image: Freeway Curves by Flickr user Slightlynorth, reposted here under its Creative Commons license.

Following up on their (presumably successful) compilation of Radiohead covers, Rapster Records corraled a dozen electronic artists to create their own versions of David Bowie songs and released Life Beyond Mars: Bowie Covered. As a lifelong Bowie fan and someone who loves electronic music and covers, I feel like I personify the target demographic for this album (and I did, in fact, buy the CD). Sadly, however, I found the song quality to be rather uneven. As might be expected, given the genre, the song choices are heavy on Bowie’s Berlin years, and the standout track is definitely Matthew Dear’s cover of “Sound & Vision.” Most artists chose lesser-known Bowie songs, rather than hit singles – understandable, really, as who’d want to take on the challenge of reinterpreting a beloved masterpiece? – but the The Thing took a different approach. Their ‘cover’ of “Life on Mars” has nothing discernibly in common with the original besides its title. I’m going to politely describe its style as ‘experimental,’ including sounds like rusted metal-on-metal creaks and squeaky balloons. I’d suggest the version below instead.

Guest blogger Scott, who’s familiar with my preferences regarding singing at concerts, says:
This isn’t necessarily a great cover, but it’s one of the best illustrations imaginable (short of a performer actually stopping and berating someone, which would be awesome) of why you don’t sing from the audience. Everyone is basically behaving themselves, except for one guy, who drunkenly sings along (and then mis-sings along) at the quietest parts of the song.
MP3: The Dresden Dolls – Karma Police [Radiohead cover]
Previously: Concert etiquette: miss debcha speaks; Listen local: The Dresden Dolls

Here at zed equals zee, we’re big fans of education. As musicians go, Queen guitarist Brian May pretty much has everyone beat – after setting his doctoral work in astrophysics aside to concentrate on music full-time, he returned to his dissertation some 30 years later, received his PhD, and is now Chancellor of Liverpool John Moores University (the photo above is of him at his investiture). We’ve already talked about the Bon Savants, whose lead singer, Thom Moran – as everybody knows – worked as a rocket scientist at MIT, although I don’t know what his academic background is (they are playing at the Middle East Upstairs on Wednesday, July 9th, so you could probably ask him). There are also a couple of artists that I can think of who are actively balancing academic and musical careers. Another z=z fave, The Franklin Kite, features a frontman who did a PhD in astrophysics at MIT, and is now doing postdoctoral research at that university up the river. Even more notably, the lead singer of Bad Religion, Greg Graffin, not only has a PhD in zoology from Cornell, but he teaches at UCLA – apparently, he is on the timetable to teach Life Science 1 in the upcoming winter quarter (January 2009), after which the band will return to the studio.
Know any other scientist/academic/musicians that I missed? Tell us about them in the comments!

[embedded YouTube video; if you can’t see it, click here]
A slightly-belated celebration of the Fourth of July, via some nice folks from the mother country.

Probably the single biggest contributor to having a good time at a live performance is familiarity with the music. The Pitchfork Music Festival grasps this point – as it has for the last couple of years, they’ve teamed up with eMusic to provide free downloads of songs by artists who’ll be performing. If you plan on attending, it’s a great way to familiarize yourself with the bands you may not know. And if you can’t make it, it’s a terrific way to get a taste of the always well-curated festival. Ignore the pissy comments – there are some great songs there. Try Mission of Burma‘s “Academy Fight Song,” Animal Collective‘s “Grass,” and Apple in Stereo‘s “Energy” for a start.

I mentioned that Under the Rotunda received a takedown notice, asking them to remove leaked MP3s from the new Hold Steady album, Stay Positive. It was polite, and civilised, and Keith complied.
But I can’t help but think that takedown notices for leaked MP3s are as effective as antibacterial soap. The labels on the bottles proudly proclaim, “Kills 99% of bacteria!” But with an average doubling time of about 20 minutes, that just means that all the germs will be back in about two hours. On top of that, you’ve just selected for all the bugs that can survive the soap.
Blogs like Under the Rotunda and z=z might comply with a takedown notice, but I bet that you could still find the MP3s online without too much difficulty. And it’s not necessarily going to be on sites by music fans that are engaged in conversations about the album.
While I’m happy to accede to requests to remove MP3s, I’m not sure how holding the songs back for an extra six weeks will really help the band. And as a fan, I kind of worry about enthusiastic enforcement, since it makes me think of the difference between studios hosting preview screenings of their movies (because they are confident of what they’re selling and want the positive word of mouth) versus making sure no one can see their dud until opening weekend.
I’m definitely still thinking about these issues. And heaven knows the music companies, even the independents, haven’t really figured out how to deal with the brave new world of negligible distribution costs. Although The Hold Steady are certainly going in the right direction on another front, by stressing the physicality of the CD itself – it’s a limited-edition digipak.
Got an opinion? Feel free to share it in the comments.

Cassette from My Ex is a lovely blog where posters, mostly writers, musicians and other creative types, share the stories behind mixtapes they’ve received, as well as streaming audio of the contents. My own love of mixtapes (more recently, of course, mix CDs) is well–documented, and I love this site. The first story I read was from Claudia Gonson, of the Magnetic Fields and more, and it’s an excellent place to start.
[via Neil Gaiman]

Speaking of Sloan, they made The Onion AV Club‘s recent list of ‘bands with more than one prominent lead singer,’ which also includes z=z favourites Mission of Burma (pictured above) and The New Pornographers. I’m not sure that I totally buy the pop-psych explanation of Sloan’s lack of success in the US, though:
It’s possible that perpetually underappreciated (in the States, anyway) Canadian power-pop band Sloan is too democratic. Fans tend to gravitate to bands where the members have clearly defined roles and responsibilities. In Sloan, everybody sings, writes, and trades off instruments. This means there’s no leader or star in Sloan, though a surplus of wonderful songs and killer harmonies would make up for that in a just world.
It’s especially hard to be swayed by that argument when the company they’re keeping includes, well, The Beatles (and the Beach Boys, and Fleetwood Mac, and the Clash, and Pink Floyd). You know, ‘perpetually underappreciated’ bands like that.

[embedded YouTube video; if you can’t see it, click here]
In the new video for the All India Radio song, “Persist”, Australian animator Lucy Dyson hauntingly tells the story of Topsy the Elephant, who was electrocuted by Thomas Edison on January 5, 1903. The death of Topsy, together with the deaths of a number of other animals and the invention of the electric chair, was part of Edison’s propaganda campaign to discredit AC current by convincing the public that it was dangerous. Edison had developed a DC-based system to generate, transmit and use electricity. However, his former employee Nikola Tesla, backed by Westinghouse, went on to design an AC system that had significant technical advantages over DC (for example, AC can be transmitted for long distances with little power loss, while DC can be only transmitted a mile or so). The resulting competition between the two systems (known as the War of Currents) turned pretty nasty – not only was money at stake, but apparently it was also driven by a personal animosity between the two men. Edison filmed the death of Topsy (“Electrocuting an Elephant“) and circulated it widely. Despite Edison’s efforts, the advantages of AC won out and it was widely adopted, and that’s why those of us in the northeast US get power from Niagara Falls and why we’ve learned to be careful with hairdryers around bathtubs. Topsy’s fate seems to be in the zeitgeist; Brooklyn-based artist (and friend of z=z) Paul Davies created a piece on the elephant’s sad end as well.